The Deathstalker 2025 reboot by Steven Kostanski is an absolute blast – seriously, skip the plot synopsis and just enjoy the chaotic, blood-soaked ride. It’s an unapologetic throwback to those ridiculously over-the-top 80s sword-and-sorcery flicks like Beastmaster and the original Deathstalker, but with a modern layer of self-aware, cheesy fun.
The best part? It’s a pure celebration of practical effects. You get endless streams of glorious gore, fantastic rubber monster suits, and wonderfully ridiculous-looking puppets. The story itself is just a functional excuse to move the hero, Deathstalker (played perfectly by Daniel Bernhardt), from one outlandish creature fight to the next.
What makes this B-movie extravaganza really feel like an event is the incredible music collaboration. The whole thing was executive produced by none other than Slash from Guns N’ Roses, who is apparently a huge fan of the original cult classic. He even teamed up with the amazing composer Bear McCreary (known for The Walking Dead and Battlestar Galactica) to create a killer new theme song for the film. Hearing that rock legend guitar shredding paired with McCreary’s epic score just perfectly captures the movie’s metal aesthetic. It’s loud, it’s stupid, and it absolutely rocks.
The best part? It’s a pure celebration of practical effects. You get endless streams of glorious gore, fantastic rubber monster suits, and wonderfully ridiculous-looking puppets. The story itself is just a functional excuse to move the hero, Deathstalker (played perfectly by Daniel Bernhardt), from one outlandish creature fight to the next.
What makes this B-movie extravaganza really feel like an event is the incredible music collaboration. The whole thing was executive produced by none other than Slash from Guns N’ Roses, who is apparently a huge fan of the original cult classic. He even teamed up with the amazing composer Bear McCreary (known for The Walking Dead and Battlestar Galactica) to create a killer new theme song for the film. Hearing that rock legend guitar shredding paired with McCreary’s epic score just perfectly captures the movie’s metal aesthetic. It’s loud, it’s stupid, and it absolutely rocks.
Story
Action
Music
It’s Deathstalker in 2025
Summary
It’s loud, it’s stupid, and it absolutely rocks
